Syracuse University Press,
founded in 1943, is a university press that is part of Syracuse University. The areas of focus for the
Press include Middle East Studies, Native American Studies, Peace and Conflict
Resolution, Irish Studies and Jewish Studies, among others.[1]
The Press has an international reputation in Irish Studies and Middle East
Studies.[2]
It is a member of the Association of American University Presses. (Wikipedia)
Syracuse University Press also publishes, under its imprint
York State Books, topical material related to New York State. My own internet
searches for details of the imprint’s history and works have produced nothing
constructive. At present I’m engaged in correspondence with the Press to learn more.
The little I am able to report on is based on books I’ve acquired from various
used bookstores.
It’s probable that the material handled by York State Books was formerly the purview of Syracuse University Press proper before
diversifying into the broader range described above however at the
moment that’s mainly a hunch.
In the early 2000’s traveling from western New York to Cape
Cod my timetable permitted journeying on back roads through the Adirondacks, my
first real glimpse of the region. in the town of Speculator I was lucky to overnight in a Lake
Pleasant cabin where among the comforts of its simple rooms were
assorted books on the renowned park. I delved into Adirondack Country by William Chapman White.
The 1985 publication of Adirondack
Country by York Sate Books reprinted for the first time in paperback the author’s
biography of the Adirondack Preserve originally published by Duell, Sloan &
Pearce in 1954, a year before White’s death at age 52. As late as 1967 when
Knopf issued the first reprint of the title it had secured a reputation for
unmatched depth of study, as is attested to by noted Adirondack region scholar
and water use crusader Paul F. Jamieson, who is quoted in the introduction to
that edition – “the most comprehensive book on the region since [Alfred l.] Donaldson’s
History.”
In researching the original publisher of Adirondack Country I learned it belonged
to a larger roster of Country books Duell,
Sloan & Pearce and released in a series called American Folkways edited by
Erskine Caldwell. American Folkways is representative of postwar regional
series that comprised a national self -portrait according to Oak Knoll Press,
publishers of Series Americana by
Carol Fitzgerald who is profiled in an earlier post for her groundbreaking work
with the Rivers of America series. That York State Books in no way points to Adirondack Country’s origins in American
Folkways is, I presume, an indication that as late 1985 when they reprinted it,
there was not yet recognition that various regional series constituted a so
called national self-portrait series as Fitzgerald’s thesis asserts. I would
think that detail would add to Adirondack
Country’s pedigree. In any event, it is commendable that York State Books brought
Adirondack Country and the intimate
profile it offers out of obscurity.
Syracuse University Press has also reprinted the slim volume
Just About Everything in the Adirondacks,
forty-seven of White’s journalistic pieces for the New York Times and New York
Herald Tribune first published by the Adirondack Historical Association in
1960. The reprint couples the columns with notable landscape paintings of the
region.
Landmarks of Rochester
and Monroe County: A Guide to
Neighborhoods and Villages © 1974 and Cobblestone Landmarks of New York State
© 1978 both belong to an
intriguing series of books published by SUP we might nickname
“Landmarks”
books. Both were happy discoveries in stores trading in “previously
owned”
books, the earlier title being the second such event, its identical
square format suggesting the two might be parts of a series; follow-up correspondence
with SUP confirmed they were. According to the publisher the series originally
included: Landmarks of Rochester and Monroe Co.;
Cobblestone Landmarks of New York; Landmarks of Otsego Cty; Landmarks of Oswego
Cty; and Syracuse Landmarks all in cloth and paper editions. Only the
Syracuse title is still in print.
Of particular note is Cobblestone
Landmarks of New York State. Prior to discovering this book I was unaware
of the architectural form but it has since remained a top
personal interest among the treasures of New York State which I’ll expand on following this
post.
Lastly, Growing Up In
Cooper Country was another delightful discovery in the aisles of one of the
best used bookstores I have ever visited which warrants a quick plug. The Book
Barn in Niantic, CT is treat with few equals for those who love to prowl used
bookstores. It comprises three locations. The main store, a
quarter mile out of “downtown” on the main street itself comprises an
old barn, some outbuildings and stalls situated on an old farm. Each structure
on the welcoming and highly appealing grounds is dedicated to different genres.
You can easily spend a day browsing and not have covered everything. Of course
it’s replete with all the idiosyncracies of such places: cats; antiques; abundant
placards of quotes and other literary signage; I think they had tea breads or
some sort of country baked goods. The personnel are very friendly as they
manage brisk business. The other two locations are in town around the corner
from each other. One handles children’s books and the other quality paperbacks.
Junk quotient is low; “finds” quotient high.
Growing Up In Cooper
Country: Boyhood Recollections of the New York Frontier © 1965 by Syracuse
University Press presents “extensive boyhood reminiscences from the
out-of-print autobiographies of two men who grew up in the Cooper Country in
the frontier period.” Contemporaries and local to each other the two subjects
did not know each other. One, Beardsley became a lawyer and member of the state
legislature while the other, Wright, was a clergyman, reformer, suffragist and
abolitionist, thus their writings reflect totally different points of view as they record memorable descriptions of
similar events such as bear hunts, clearing forests, building log houses, bees
and dances, witches and Indians, etc.
The book's handsome jacket illustration itself sports a classic 1960s graphic sensibility. The back cover lists other titles under the heading The York State Scene – so we see a preceding nomenclature of the later imprint and an early, very handsome stylization of SUP's trademark glyph.
As suggested through the titles presented here, Syracuse
University Press offers, to those interested, deeper layers of New York
history. It would be a welcome feature of the press if their public presence
included more on their history and archives.
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